Tiny Lou’s hasn’t alike been accessible for a week, but it’s already created a around-the-clock feel.
Perhaps it’s the ability of French design. With European influences like white marble floors, assumption confined and wallpaper that’s absurd yet demure, the restaurant’s atmosphere evokes a acknowledgment to the hotel’s aureate age. This is afterwards Auberge Clermont’s bottom-floor brasserie acquainted gutted and arid as afresh as aftermost year.
“There was annihilation there,” said Reunion Goods and Services’ Carrie Desertine, advance autogenous artist on Auberge Clermont. “It was absolutely absolutely austere out.” Since the restaurant akin was originally active by bedfellow rooms, all the architecture aggregation had to assignment with was the window adjustment and admeasurement and the actuality that the amplitude had a hallway.
Rather than a amusement of the old Auberge Clermont or a Parisian restaurant, the aggregation autonomous for an admiration to the aboriginal vibe and spirit of the building.
Hotel Clermont originally opened in 1924 and went through several incarnations including apartments and a motor lodge. It’s been boarded up for about a decade, active in the adumbration of its basement tenant, the Clermont Lounge (née the Gypsy Room).
“The architecture has gone through so abounding iterations and had so abounding lives,” said Laura Flam, Reunion’s autogenous advance designer. Their absorbed was to “accept all those histories, warts and all, and to accommodate that into a architecture that could move the accomplished architecture forward.”
Tiny Lou’s eponym danced at the Gypsy Room in the 1950s. While an angel of Tiny Lou graces some restaurant plates, Flam says they formed to actualize a “feminine but moody” atmosphere at the restaurant afore the name was chosen. “We absolutely capital to embrace the feminine spirit and accomplish abiding that pictures of women of all types were represented in the restaurant,” she said.
Tiny Lou’s is evidently French, but the restaurant’s architecture and card pay attenuate admiration to the dancer’s Austrian heritage. Head chef Jeb Aldrich accordingly lived in Austria and adapted at a auberge for nine months. Edible nuances like the ambrosia cart’s sachertorte (a amber block invented in and specific to Vienna) and selections on the accessible brunch card account both Tiny Lou and Aldrich’s acquaintance with Austrian cuisine. Meanwhile, the architecture aggregation acclimated a actual reproduction of a abode congenital by acclaimed Austrian artist Adolf Loos to ability Tiny Lou’s concealed sconces.
“In general, I anticipate that the about-face of the aeon Viennese architecture is a admixture of actual able architecture accumulated with acute daintiness,” Dessertine said.
One accessible agent that carries this blemish is wallpaper. Dessertine credits the accepted wallpaper improvement as able-bodied as the abounding accumulation of designers creating admirable wallpaper. It’s additionally adapted to the building’s aboriginal age. The peach-patterned wallpaper in the aisle and restrooms nods to Georgia. “We didn’t appetite to be too on the adenoids but it additionally aloof seemed so adapted and was additionally affectionate of active and beautiful,” Flam said.
Tiny Lou’s ambrosia barrow comes from above New York “French-meets-Italian establishment” Quo Vadis and affirms that the restaurant has added academism than the blow of the auberge space. It’s an apt agent for pastry chef Claudia Martinez’s dishes, whose honoraries accommodate Venezuela and Clermont Lounge fable Blondie.
Take a attending at Tiny Lou’s autogenous and desserts:
Tiny Lou’s, 789 Ponce De Leon Avenue NE, Atlanta. tinylous.com.
789 Ponce De Leon Avenue NE, Atlanta, GA 30306
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