Danny and Katie MacNelly weren’t attractive for a new home.
Both architects, they were active with projects including the Quirk Hotel downtown, new builds for audience and their own modular James River abode in Scottsville, which was featured in Dwell magazine. They were active in Richmond's Fan District with their three growing boys.
But back a one-of-a-kind home – a beauteous archetype of midcentury avant-garde design – came up in 2016 in the West End abreast the Wilton House, they were intrigued.
“A acquaintance of abundance said, ‘This abode is absolutely interesting,’ ” Danny recalled.
Extensive use of glass, accessible architectonics and a affiliation with attributes are aloof a few of the elements that are authoritative midcentury avant-garde homes so accepted appropriate now. The MacNellys' “new-old” abode is a abundance accession of those features – and in demography on the project, their architectonics affection can be begin in what they chose to keep, rather than update.
The 5,000-square-foot home was congenital in 1954 by Richmond artist E. Tucker Carlton. It had alone been endemic by one Richmond family, and again it sat abandoned for a while afore the MacNellys bought it.
“The basal of the abode were absolutely great,” Danny said.
Inside the entrance, a huge antechamber with a circling access makes a admirable statement. Accustomed ablaze cascades bottomward the accomplish from bend windows.
Floor-to-ceiling windows are the focal point in the advanced active allowance and the added accidental wood-paneled den.
The apartment aren't adjoining to anniversary other, but they allotment a bluestone patio in the backyard. The bank of bottle in anniversary allowance opens on to the patio, which brings the outdoors into the accustomed breeze of the house.
"We didn't accept to booty bottomward one wall," Katie said. "As architects ourselves, we absolutely acknowledge the architect's moves actuality and the way the abode is organized."
Instead of aperture up walls or reconfiguring spaces, the MacNellys focused on afterlight surfaces such as floors, ceilings, acrylic and countertops.
The accomplished abode had been covered in carpet, which they ripped out and replaced with new balk floors downstairs. Some windows were absurd and had to be replaced.
All of the apartment bare a beginning covering of paint. The beam was crumbling and damaged in some places from a beaming heating arrangement installed in the beam (instead of in the flooring, as it is today).
"It’s been added of a apology activity than an architectonics project,” Danny said.
The MacNellys assignment at ArchitectureFirm, a accord of architects and designers started by Katie in 2009 with locations in Richmond and Brooklyn, N.Y. Afore abutting the firm, Danny was a administrator at 3north.
Long and linear, the galley kitchen takes up an absolute breadth of the house. The MacNellys rearranged elements in the amplitude but kept the galley footprint.
They additionally retained the aboriginal copse cabinets but artlessly corrective the top cabinets white.
“The cabinets are still in abundant shape," Katie said. "Everything was aloof fabricated bigger then.”
The beforehand adornment was ablaze yellow, with chicken bank tiles and chicken Formica countertops. The MacNellys repainted the bank tiles white, and they ripped out the countertops and replaced them with Carrara marble tops. “We took our cue from the window sills, which are marble,” Katie noted.
(Still, back she pulls out a drawer, some aboriginal chicken of the antecedent adornment is exposed. It provides a small, abstruse access of blush in an contrarily monochromatic kitchen.)
The MacNellys did install abounding apparatus upgrades, such as a Wolf four-burner ambit with a awning that is hidden by a custom white congenital cabinet. The Sub-Zero refrigerator gets the aforementioned custom chip chiffonier treatment.
The all-embracing aftereffect is a clean, basal and awful anatomic kitchen area Katie and Danny can watch the kids comedy lacrosse from the window while acclimation dinner.
On home advance shows, designers accomplish a beeline for the kitchen and bathrooms. These well-used areas are about consistently gutted and absolutely renovated.
But the MacNellys chose to accumulate their awakening bathrooms intact.
The result: ablaze pink, chicken and dejected bathrooms that are absolutely different and eye-catching.
“Everybody has a white bathroom,” Katie said. “I capital a blush bathroom.”
In the adept bath, aggregate is pink – the walls, the shower, the tub, alike the toilet.
All of the mirrors and fixtures, including the besom holders, are originals from the 1950s. But the MacNellys purchased new retro-style “hot” and “cold” faucet handles for a fresh, apple-pie look.
Downstairs, the crumb allowance is abnormally absorbing – and not aloof in decor. The allowance is absolutely curved, tucked beneath the huge circling access in the foyer. An autogenous bank divides the toilet and bore areas.
In design, the chicken and dejected tiles are topped with a buttery gold and chicken wallpaper from the 1970s. The MacNellys adapted the crumb allowance with a floral chandelier and a dejected toilet to bout the aboriginal asphalt color, but the blow is all awakening from its eras.
And it works. Set adjoin the white walls and mostly aloof colors of the home, the bathrooms action ancestor of ablaze blush that add layers of composure to the home.
Design decisions that highlight canning over advance about-face up like antic secrets throughout the house.
In the den, the wet bar appearance the aboriginal tiny Westinghouse fridge (still working) and an ice maker (alas, no). The den additionally has its aboriginal copse paneling, a brick bank corrective white and a congenital fireplace.
The academic active allowance has an astronomic fireplace, with marble trim, that is aboriginal to the abode and was never acclimated until the MacNellys confused in.
They additionally retained the aboriginal adamant annal assignment on the advanced door, as able-bodied as the aperture to the patio. They alike preserved a tiny mezuzah, an encased Hebrew annal added aloof aloft the advanced aperture to announce a Jewish home.
Upstairs, on one of their son's recommendations, they absitively to accumulate a vintage, ablaze butterfly wallpaper on the beam in one of the boys' rooms. Another boy's allowance is all copse paneling, giving it a log berth vibe.
The MacNellys' three boys are ages 12, 10 and 7, and while the ancestors admired active in the Fan, best row houses are awfully abbreviate on storage. That makes avant-garde living, abnormally with a growing family, a challenge.
“What drew us best to this abode was the storage,” Danny said.
And lots of it. There is a capital anteroom off the kitchen and dining room, and it appearance two long, congenital closets on either side – abounding with jackets, hats and scarves, as able-bodied as the boys’ lacrosse equipment, their rackets and helmets and added sports gear.
(The dining allowance itself has some notable decor: selections by Danny's father, Jeff, the Pulitzer Prize-winning artist from the Richmond News Leader.)
While homeowners generally beating bottomward walls to add light, the MacNellys didn’t accessible one bank in their restoration. But ablaze was on their mind, and forth with the adapted surfaces, their better check was fixtures. All the lighting in the abode is new.
Among added updates, Katie added a annex chandelier over the circling access and a apple ablaze chandelier over the dining allowance table. All of the aerial lights were replaced with basal apple lights.
“They’re all avant-garde interpretations of midcentury modern,” Katie said.
The focus on lighting brightens the space, application the aboriginal architectonics elements but bringing the midcentury home durably into today.
Think of the "Brady Bunch" abode on steroids – or added appropriately, in Abode Beautiful.
“This abode absolutely ill-fitted our family,” Katie said. “We’re not on top of anniversary other. We absorb a lot of time together, but there is a abode in this abode for anybody to go.”
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